《逐格之夢：從書頁到銀幕的動畫世界》

《逐格之夢：從書頁到銀幕的動畫世界》以書籍為核心展件，整合 39 本與動畫相關的中文及外文書籍，將藝
術圖書中心轉化為一個可閱讀、可停留、也可觀看的動畫知識場域。展覽不以電影放映作為唯一入口，而是邀
請觀眾從書頁、圖像、文字與書目之間，重新理解動畫如何被製作、被記憶，也如何持續形塑我們觀看世界的
方式。

「逐格」既指動畫的畫格，也指閱讀的節奏。動畫讓靜止圖像透過時間與觀看而動起來；閱讀則讓觀者在翻
頁、停頓與聯想之間建立意義。展覽因此以「從書頁到銀幕」為主軸，將書籍視為進入動畫世界的第一現場，
讓每一部作品背後的創作方法、產業條件、歷史脈絡與文化想像，都能被重新看見。

Frame by Frame: From Page to Screen presents animation through books. Bringing together 39
Chinese- and English-language titles, the exhibition transforms the Art Library Center into a space for
reading, lingering, and looking. Rather than treating film screenings as its sole point of entry, it invites
visitors to encounter animation through pages, images, texts, and bibliographies—and to consider
how animation is made, remembered, and continues to shape the ways we see the world.

“Frame by frame” refers both to animation’s individual frames and to the rhythm of reading.
Animation makes still images move through time and perception; reading, likewise, produces meaning
through turning pages, pauses, and associations. Guided by the idea of “from page to screen,” the
exhibition treats books as the first site for entering animation, making visible the creative processes,
industrial conditions, historical contexts, and cultural imaginations behind animated works.

動畫，是如何「動」起來的？

一格格靜止的畫面，透過時間、節奏與觀看產生流動；一本書，也在一次次翻頁、停留與閱讀之間，逐漸形成屬於讀者的想像。《逐格之夢：從書頁到銀幕的動畫世界》從「逐格」出發，將動畫的影格與閱讀的書頁並置，邀請觀眾從書本重新走進動畫的世界。

本展以書籍作為核心展件，精選39本動畫相關中文及外文書籍，內容橫跨動畫原理、分鏡與製作、臺灣動畫與漫畫文化、世界動畫發展，以及動畫美學、故事與文化研究等面向，將藝術圖書中心轉化為一處可以閱讀、停留，也可以觀看與思考動畫的知識場域。

How does animation come to life?

Frame by frame, still images begin to move through time, rhythm, and perception. Page by page, a book similarly comes alive as readers turn, pause, read, and imagine. Dreaming in Frames: From Page to Screen — The World of Animation in Books begins with this connection between the animated frame and the printed page, inviting visitors to rediscover the world of animation through books.

With 39 Chinese- and foreign-language titles at its core, the exhibition explores animation principles, storyboarding and production, Taiwanese animation and comics, the development of animation around the world, as well as animation aesthetics, storytelling, and cultural studies. In doing so, it transforms the Art Library Center into a space for reading, lingering, looking, and thinking about animation.

展覽規劃三個單元，形成一條從「動起來」、「留下軌跡」到「開展想像」的閱讀路徑：

單元一｜影格與流動之間——動畫原理、分鏡與製作
每一次流動，都從一格靜止開始。

從動畫原理、分鏡、角色設計到製作流程，帶領觀眾認識創作者如何透過觀察、繪製、表演、剪輯與技術操作，安排時間與動作，讓原本靜止的圖像獲得節奏與生命。

單元二｜軌跡與記憶——臺灣動畫、產業記憶與跨文化交流
每一段動畫的軌跡，都映照一個時代。

從臺灣動畫史與漫畫文化出發，延伸至日本動畫創作、重要導演與世界動畫發展，透過書籍重新辨認動畫在地域、產業及跨文化交流中留下的歷史軌跡，也重新看見臺灣動畫在其中的位置。

單元三｜感知與想像——動畫美學、故事世界與文化觀看
動畫不只是娛樂，更是我們感受世界、記憶生活與想像自身的方式。

從動畫藝術、故事世界到社會文化與ACG研究，探問色彩、角色、場景與敘事如何承載家庭情感、地方記憶、世代經驗與身分想像。從《魔法阿媽》、《幸福路上》到皮克斯與經典童話，觀眾也將看見動畫如何在奇幻與現實之間，形塑我們觀看與理解世界的方式。

The exhibition unfolds in three sections, forming a journey from understanding how animation moves, to tracing what animation leaves behind, and finally exploring how animation shapes our imagination.

Section I | Between Frames and Movement — Animation Principles, Storyboarding, and Production
Every movement begins with a single still frame.

From animation principles and storyboarding to character design and production workflows, this section explores how artists use observation, drawing, performance, editing, and technical processes to organize time and movement, transforming still images into moving images filled with rhythm and life.

Section II | Traces and Memory — Taiwanese Animation, Industry Memory, and Cross-Cultural Exchange
Every trace of animation reflects the time in which it was created.

Beginning with the histories of Taiwanese animation and comics, this section extends to Japanese animation, influential directors, and the broader history of animation worldwide. Through books, visitors can trace the paths animation has taken across regions, industries, and cultures, while reconsidering the place of Taiwanese animation within this larger history.

Section III | Perception and Imagination — Animation Aesthetics, Story Worlds, and Cultural Perspectives
Animation is more than entertainment—it is a way of experiencing the world, remembering our lives, and imagining who we are.

本次展出書目同時涵蓋館藏與非館藏選書，包括《逐格造夢：台灣動畫歷史、記錄與論述》、《臺灣漫畫閱覽》、The Animator's Survival Kit、《魔法阿媽：豆豆的夏天》、《幸福路上：童年時光1+2套書》及 Animation: the Global History 等，從實作、歷史到文化研究，呈現動畫多元而豐富的知識面貌。

展覽期間另規劃臺灣動畫專題講座及經典動畫電影放映活動，讓閱讀從書架延伸至銀幕與現場對話，在「閱讀—觀看—再閱讀」之間，展開另一種認識動畫的方式。相關活動資訊將另行公告。

The selection brings together both library holdings and specially selected titles, ranging from practical guides to animation and storyboarding to works on Taiwanese animation and comics, global animation history, and cultural studies. Together, they reveal animation as a rich field of artistic practice, historical memory, and cultural inquiry.

The exhibition will also be accompanied by a special lecture on Taiwanese animation and screenings of classic animated films, extending the experience from the bookshelf to the screen and into shared conversation. Further programme details will be announced separately.

Exhibition Information
Exhibition: Dreaming in Frames: From Page to Screen — The World of Animation in Books
Dates: August 11, 2026 – January 17, 2027
Venue: Art Library Center, 3F, National Taiwan Museum of Fine Arts