本計畫以《無價之畫：巴黎的追光少年》VR 作品於國家漫畫博物館之特別展出為核心，期望透過漫畫原作、VR 影像與展場空間的跨域結合，讓觀眾一次體驗臺灣前輩藝術家楊三郎的生命故事、臺灣漫畫創作及臺灣沉浸式影像技術的成果。 This project highlights the special exhibition of the VR experience The Priceless Painting: The Boy Chasing Light in Paris at the National Museum of Taiwan Comics. Through a cross-disciplinary fusion of the original comic, VR imagery, and spatial design, visitors are invited to immerse themselves simultaneously in the life story of Taiwan's pioneering artist Yang San-lang, the brilliance of Taiwanese comic artistry, and the innovative achievements of Taiwan’s immersive technology.
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活動內容介紹
國立臺灣美術館推出沉浸式作品《無價之畫：巴黎的追光少年》，作品改編自本館於 2021 年出版、描繪臺灣前輩藝術家楊三郎的同名漫畫，並邀請原作漫畫家 HOM 參與製作。本作片長約 6 分 45 秒，透過 360 度 VR 影片技術與 3D 建模，保留原作 2D 手繪質感，重現楊三郎赴巴黎追尋藝術價值的歷程。
本次企劃與國家漫畫博物館合作，規劃於館內進行短期特別展出，結合 VR 作品、原作漫畫展示與現場觀影服務，讓觀眾在漫畫文化場域中體驗作品從紙本敘事到沉浸式影像的轉譯過程。
The National Taiwan Museum of Fine Arts has launched the immersive artwork The Priceless Painting: The Boy Chasing Light in Paris. The piece is adapted from the museum's 2021 graphic novel of the same name, which depicts the life of Taiwan's pioneering artist Yang San-lang, and features the creative collaboration of the original comic artist, HOM. With a runtime of approximately 6 minutes and 45 seconds, the project utilizes 360-degree VR video technology and 3D modeling while preserving the original hand-drawn 2D texture, vividly recreating Yang San-lang's journey to Paris in pursuit of artistic value.
In collaboration with the National Museum of Taiwan Comics, this project features a short-term special exhibition at the museum. By combining the VR experience, displays of the original comic, and on-site viewing services, it invites audiences to experience the translation of the narrative from page to immersive screen within a dedicated space for comic culture.
漫畫透過平面分鏡、角色塑造與文字對白建構敘事節奏，VR 則藉由環繞視覺、聲音與空間感，將觀眾帶入故事場景之中。本次展出以「漫畫原作 × 藝術家故事 × VR 沉浸體驗」為核心，讓觀眾不僅閱讀故事，也能進一步進入楊三郎的生命片段與情感空間。
透過國美館館藏研究與出版成果，結合國家漫畫博物館之展覽場域與漫畫推廣能量，本計畫將臺灣美術史、漫畫創作與新媒體展示整合於同一體驗路徑中，拓展觀眾理解臺灣文化內容的方式。
Comics establish their narrative rhythm through two-dimensional paneling, characterization, and dialogue, whereas VR envelopes the audience in the scene using panoramic visuals, spatial audio, and environmental depth. This exhibition revolves around the triad of 'Original Comic × Artist's Backstory × Immersive VR.' It invites visitors to look beyond the printed page and step intimately into the lived moments and emotional landscapes of Yang San-lang.
Grounded in NTMOFA’s institutional research and publications, and fueled by NMTC’s vibrant exhibition space and comic-advocacy energy, this initiative seamlessly weaves Taiwanese art history, comic artistry, and new media curation into a unified experiential path—broadening the horizons of how we perceive and connect with Taiwan's cultural heritage.
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