隨緣不隨我 – 陳三火剪黏藝術特展

「剪黏」又名「剪花」，以色彩鮮豔的瓷器「剪」裁成片後，「黏」在灰泥表面，再由藝師進行細部彩繪修飾，集合雕塑、陶瓷、彩繪及鑲嵌多種技巧，更與廟宇文化緊密連結，為臺灣極具特色之傳統工藝。1980年代，統一型制的淋搪材料大規模量產，嚴重衝擊剪黏工藝過往講求慢工質精的獨特美學風格，更讓剪黏技術與人才出現斷層並逐漸式微。面對大環境衝擊及人生轉折，陳三火藝師謙遜自省，繼而開創「以摃代剪」的嶄新剪黏藝術表現形式，作品由傳統半圓雕走向全立體，展現多元的題材及高度的媒材趣味，作品富含強烈的動態感及讓人會心一笑的幽默感，不但「摃」出新生命意義，也為傳統工藝開啟更多的當代可能性。

本次特展精選陳三火藝師32件作品，並搭配創作工具、材料及影音等介紹，以「起步–耳濡目染習藝的火獅」、「轉折–隨緣敲擊技法的創立」、「開拓–結合永續 新媒材的探索」及「創新–人間關懷 多元題材的關注」四大主題，分別介紹陳三火藝師的習藝之路，及經歷人生轉折後「以摃代剪」的創作突破。並結合「永續概念」運用「蚵殼」進行創作，大膽開拓對創作題材的多元嘗試，成就其獨樹一幟的火獅剪黏藝術。希望透過本次特展呈現陳三火藝師以樂觀豁達的人生態度，始終堅守傳遞薪火的使命及勇於自傳統中開創新意的工藝頂真精神。

Destiny Calls - Chen San-Huo’s Jiannian Art Special Exhibition 

Jiannian, known as "cutting and pasting," involves cutting colorful porcelain into pieces, pasting them onto plaster surfaces, and then refining them with detailed painting. This traditional craft integrates sculpture, porcelain, painting, and inlaying techniques, and is closely tied to temple culture, making it a unique form of Taiwanese folk art. However, in the 1980s, the mass production of "lintang"（drip enamel materials）severely impacted the traditional Jiannian craft, which emphasized slow and meticulous craftsmanship. As a result, the craft and its artisans faced a decline.In response to challenges from life and career, San-Huo Chen, a humble and introspective artist, pioneered a new jiannian technique called "Random Tapping." His works evolved from traditional half-relief sculptures to fully three-dimensional pieces, featuring diverse themes and playful material combinations. His creations are dynamic and often infused with a touch of humor, giving new life to the jiannian craft and expanding the possibilities for contemporary adaptations of the traditional craft.

In this exhibition, 32 works of San-Huo Chen are featured and four themes, along with tools, materials, and multimedia, will be presented："The Starting Point of Learning the Craft," "The Creation of the random tapping Technique," "Exploration of New Media" and "Focus on Diverse Themes." In coherent sections, the exhibition introduces Chen’s journey in mastering the craft and his creative breakthroughs, including his shift to random tapping technique after life changes. Additionally, the exhibition highlights his use of sustainable materials like oyster shells, showcasing his daring exploration of new themes in the jiannian creations. Along with the exhibition narrative, we hope to present Chen’s optimistic and open-minded attitude toward life, his unwavering commitment to passing on the jiannian tradition, and constantly dedication to transcending himself.

隨緣不隨我－陳三火剪黏藝術特展

展覽日期｜2024.11.02-2025.02.09 

展覽時間 | 週二至週日09:30-17:30 (週一、除夕及初一休館)

展覽地點｜臺北當代工藝設計分館二樓 （臺北市中正區南海路41號）

剪黏體演工作坊   

★每場次開放名額15名；若參加兒童年齡6-12歲，需由至少1名家長陪同參加。

講師｜陳三火藝師
日期｜2025.02.02（日）初五
場次｜上午場   10:30-12:00  、下午場   14:00-15:30
活動報名網址｜https://reurl.cc/OrOGQ3