©Stephane Gallois

鋼琴／麗莎．德．拉薩 Lise de la Salle

在超過15年的職業生涯中，包括那屢獲殊榮的Naïve唱片錄音，世界各地音樂會的登臺，麗莎‧德‧拉薩已成為當今最令人興奮的年輕藝術家之一，同時也是一位擁有不凡感受力與成熟歷練的音樂家。她的演奏讓《華盛頓郵報》樂評盛讚：「在音樂會的大部分時間中，觀眾必須記得呼吸......在她的手離開鍵盤之前，這種興奮從未消失。」

在19/20樂季中最受注目的，與Naïve合作發行的新獨奏專輯《舞曲》。專輯中所收錄的曲目涵蓋四種音樂文化（斯拉夫靈魂、法式跳動、西班牙影響、美國之夢），於漢堡易北愛樂廳首演後，新樂季也將安排此套曲目於德國、法國、瑞士、英國、美國和阿拉伯聯合大公國演出。

她也將在新樂季中安排數場獨奏會，分別於倫敦的國際鋼琴獨奏會系列、國王藝術中心演奏廳及法國多個演奏廳演出。她同時也與指揮詹姆斯‧康倫及美國辛辛那堤管弦樂團合作、與德國多特蒙德愛樂首次共同演出新年音樂會、與勞倫斯．佛斯特所指揮的琉森交響樂團、於英國蓋茨黑德的音樂廳與北皇家交響樂團、以及國立臺灣交響樂團同台演出。

麗莎‧德‧拉薩曾與全球許多重要的管弦樂團合作：從美國（芝加哥交響樂團，波士頓交響樂團，底特律，亞特蘭大交響樂團，洛杉磯愛樂，費城管弦樂團）到英國（倫敦交響樂團，英國愛樂管弦樂團，’皇家愛樂管弦樂團），德國各地（德意志交響樂團、柏林廣播交響樂團、慕尼黑愛樂、德勒斯登國家管弦樂團、科隆西德廣播交響樂團），乃至她的家鄉法國（法國國家管弦樂團、里昂管弦樂團），也包括義大利（聖西西利亞學院管弦樂團、米蘭史卡拉劇院愛樂管弦樂團、杜林義大利國家廣播公司管弦樂團），也與比利時國家交響樂團，鹿特丹愛樂，聖彼得堡愛樂以及亞洲（NHK交響樂團、新加坡交響樂團，東京都交響樂團）等眾多樂團演出。

她並與法比歐．路易吉、詹姆斯．康隆、帕帕諾爵士、拉斐爾．帕亞雷、卡麗娜．卡尼列斯、歐洛斯果．艾斯特拉達、萊歐尼爾．布蘭吉耶、費比恩‧蓋柏、亞諾夫斯基、羅賓·塔希提、凡斯卡、詹姆斯．加菲根、勞倫斯·佛斯特、謝苗．畢契科夫和丹尼斯．羅素．戴維斯等知名指揮。

她的演出足跡遍及世界上一流的音樂廳，包括了維也納音樂協會，阿姆斯特丹皇家大會堂音，慕尼黑的赫庫勒廳，柏林愛樂廳，柏林愛樂廳，蘇黎世市政廳，琉森文化會議中心，布魯塞爾波札廳，英國威格摩廳和皇家節慶音樂廳，香榭麗舍劇院，好萊塢露天劇場等。以及於眾多音樂節中登臺，包括了魯爾鋼琴音樂節、巴特基辛根音樂節、韋爾比耶、拉羅克‧ 翁迪宏國際鋼琴音樂節、布加勒斯特安奈斯可音樂節，以及於舊金山、芝加哥的系列演出、亞斯本音樂節、拉維尼亞音樂節。

麗莎‧德‧拉薩也相當致力教育，曾於她演出的許多城市均舉辦大師班。

在她廣受好評，由Naïve 出版的CD中，包括了一張全蕭邦的錄音，包括了現場版的蕭邦第二號鋼琴協奏曲，作品第 21號，與法比歐‧路易吉指揮的德勒斯登國家管弦樂團合作，2011年5月，Naïve發行了她的第六張唱片，以慶祝李斯特的二百週年誕辰紀念，這張專輯獲得了法國《音叉》雜誌的金叉獎和英國《留聲機》雜誌的主筆推薦，提到：「...... 23歲的麗莎‧德‧拉薩給我們帶來了一場驚人、獨具詩意，並且在音樂性上如此成熟的李斯特。」“她的兩張最新唱片於2018年發行：第一張專輯“Bach Unlimited” 與Naïve合作，包括巴哈《義大利協奏曲》、李斯特《巴哈主題幻想與賦格》、巴哈/布梭尼的《夏康舞曲》。她並與法國大提琴家克里斯蒂安-皮埃爾拉馬卡錄製第二張《巴黎到莫斯科》專輯共同慶祝巴黎與莫斯科之間的音樂關係，由SONY古典發行。

1988年，麗莎‧德‧拉薩出生於法國瑟堡，四歲時開始學習鋼琴，五年之後旋即在法國廣播電台的現場直播中首次演出。她曾於巴黎音樂學院學習，並以13歲之姿，於亞維儂進行首次協奏曲登臺演出，演出貝多芬第二號鋼琴協奏曲，她的巴黎獨奏會首次登臺則在羅浮宮，後隨法國國家管弦樂團進行巡迴演出，演奏海頓的D大調鋼琴協奏曲。她與鋼琴家內米羅夫斯基有著密切合作，並且長期求教於杜提耶之妻，吉納維夫-喬伊的門下。

2004年，麗莎‧德‧拉薩贏得紐約國際青年演奏家獎。該組織於同年主辦了她在紐約和華盛頓特區的首次登臺音樂會。在德國的埃特林根國際大賽中，麗莎‧德‧拉薩獲得首獎與騎熊士獎。 此外，她也曾在法國許多鋼琴大賽中獲得首獎。

During her career of over 15 years, including award-winning Naïve recordings and international concert appearances, Lise de la Salle has established herself as one of today’s exciting young artists and a musician of sensibility and maturity. Her playing inspired a Washington Post critic to write, “For much of the concert, the audience had to remember to breathe... the exhilaration didn’t let up for a second until her hands came off the keyboard.”

The 2019/20 season is marked by the release of her new solo album Dances with Naïve. The programme travels around four musical cultures (Slavic Soul, French Touch, Spanish Influence, American Dream). She premieres it in Hamburg’s Elbphilharmonie and across the season takes it to Germany, France, Switzerland, UK, USA and the United Arab Emirates.

This season she also performs recitals in London’s International Piano Series and at Kings Place, as well as various venues in France. She also works with Cincinnati Symphony Orchestra and James Conlon, Dortmunder Philharmoniker for their first ever New Year’s concert, Luzerner Sinfonieorchester with Lawrence Foster, Royal Northern Sinfonia in Gateshead’s The Sage, and National Taiwan Symphony Orchestra.

She has played with many leading orchestras across the globe: from the USA (Chicago, Boston, Detroit, Atlanta symphony orchestras, Los Angeles Philharmonic, Philadelphia Orchestra), to the UK (London Symphony Orchestra, Philharmonia, Royal Philharmonic Orchestra); across Germany (Deutsches Symphonie-Orchester and Rundfunk-Sinfonieorchester Berlin, Münchner Philharmoniker, Dresden Staatskapelle, WDR Sinfoniorchester Köln); in her native France (Orchestre National de France and Lyon); in Italy (Orchestra dell’Accademia Nazionale di Santa Cecilia, Filarmonica della Scala, Orchestra Sinfonica Nazionale Della RAI di Torino); further afield with Belgium National Orchestra, Rotterdam Philharmonic, St Petersburg Philharmonic; and in Asia (NHK and Singapore Symphony, Tokyo Metropolitan), among many others,

She has collaborated with conductors such as Fabio Luisi, James Conlon, Antonio Pappano, Rafael Payare, Karina Kanellakis, Andrés Orozco-Estrada, Lioner Bringuier, Fabien Gabel, Marek Janowski, Robin Ticciati, Osmö Vanska, James Gaffigan, Lawrence Foster, Semyon Bychkov, and Dennis Russell Davies.

She performs in the world’s most esteemed concert halls – Vienna Musikverein, Concertgebouw Amsterdam, Herkulessaal in Munich, Berlin Philharmonie, Tonhalle Zurich, Lucerne KKL, Bozar in Brussels, Wigmore and Royal Festival halls, Théâtre des Champs-Elysées, Hollywood Bowl. She appears in festivals including Klavier Festival Ruhr, Bad Kissingen, Verbier, La Roque d’Anthéron, Bucharest Enescu Festival, San Francisco Performances, Chicago Symphony recital series, Aspen and Ravinia Festivals.

She also takes pleasure in educational outreach and conducts masterclasses in many of the cities in which she performs.

Her critically acclaimed Naïve CDs feature an all-Chopin disc with a live recording of the Piano Concerto No.2, Op.21 with Fabio Luisi conducting Staatskapelle Dresden. In May 2011, Naïve issued her sixth recording, released in celebration of Liszt’s Bicentennial. The album received Diapason magazine’s Diapason d’Or and Gramophone’s Editor’s Choice, which stated, “The wonderfully gifted 23-year-old Lise de la Salle gives us a Liszt recital of astonishing strength, poetry, and, for one so young, musical maturity.” In 2018 she released Bach Unlimited – a Bach-focused album for Naïve including the ‘Italian’ Concerto, Liszt’s Fantasy & Fugue on the Theme B.A.C.H. and the Bach/Busoni Chaconne – and Paris-Moscow, recorded with French cellist Christian-Pierre La Marca, offering a celebration of the musical relationship between Paris and Moscow (Sony Classical).

Born in Cherbourg, France, in 1988, Lise de la Salle started the piano at age four and gave her first concert five years later in a live broadcast on Radio France. She studied at Paris Conservatoire and made her concerto debut at 13 with Beethoven’s No.2 in Avignon. She made her Paris recital debut at the Louvre before going on tour with Orchestre National d’Île de France, playing Haydn’s Concerto in D major. She has worked closely with Pascal Nemirovski and was long-term mentor of Genevieve Joy-Dutilleux.

In 2004, Lise de la Salle won the Young Concert Artists International Auditions in New York. Later that year, the organisation presented both her New York and Washington, DC, debuts. At the Ettlingen International Competition in Germany, Lise de la Salle won First Prize and the Bärenreiter Award. She has also won First Prize in many French piano competitions.