露西亞．杜赫娜娃 Lucia Duchoňová

長期以來，露西亞·杜赫娜娃一直是年輕一代歌手的成功熱門人選。最近，她獲得了令人垂涎的格萊美獎的提名，這絕對值得密切關注這位斯洛伐克的次女高音。例如，《留聲機》雜誌就給人留下了極為深刻的印象，它在評論露西亞錄製的華金·圖裏納的《我在塞維利亞唱歌》時說，她的聲音包含了“最崇高的高音”。而德國《今日經典》雜誌則認為她是“在音樂性和聲樂細節方面堪稱典範的藝術家”，其詮釋技巧甚至可以與她傳奇的前輩維多利亞相提並論。然而，最重要的是，來自不同國家/地區的所有評論都反復出現這一方面：她措辭的敏感性，使她在每一個作品上都留下自己的印記。她年輕職業生涯的首個亮點是在帕紹歐洲音樂節上表演倫納德·伯恩斯坦的彌撒，以及在布拉迪斯拉發紀念她著名的同胞露西亞·波普的音樂會，隨後在漢堡愛樂樂團音樂節、赫倫徹姆音樂節、石勒蘇益格-荷爾斯泰坦音樂節、哥廷根韓德爾音樂節、萊茵戈音樂節、奧托伯倫音樂節、聖彼得堡白之夜、布拉格之春、麥克倫堡-沃爾波莫音樂節、烏塞多姆音樂節、東京福樂音樂節等上進行表演。在歌劇舞臺上，她在海頓的《伊爾蒙多》中創作了麗莎塔，在莫紮特的《魔笛》中飾演了第三夫人，並在莫紮特的《女人皆如是》中創作了朵拉貝拉。

露西亞·杜赫娜娃的唱片包括亨德爾的猶大·馬卡比 (DHM)和亞曆山大的盛宴（漢斯勒經典，第一張個人CD我在塞維利亞唱歌），並獲得了2010年格萊美獎最佳聲樂表演獎、幻想者與良心（2012年，漢斯勒經典版）、憂鬱(2014，奇想/德國文化)的提名。

除了唱歌，她還以教學的方式工作—她為年輕歌手上大師班，為呂貝克國際合唱團和巴西的聯合學院發展音樂和教學理念。她還在斯洛伐克的特爾納瓦市組織了國際無伴奏合唱節ZOOM+ 。

Lucia Duchoňová has long been hotly tipped for success among singers of the younger generation by those in the know. And latest that she’s been nominated for a coveted Grammy Award, it’s definitely worth keeping a close eye on this Slovak mezzo-soprano. Gramophone magazine for example was extremely impressed, describing Lucia Duchoňová’s voice in a review of her recording of Joaquin Turina’s Canto a Sevilla as containing “the most sublime high register”. And the German magazine Klassik Heute saw in her “an exemplary artist in terms of musicality and vocal nuances,” whose interpretative skills even stood comparison with her legendary predecessor Victoria de los Angeles. Nevertheless, there is above all one aspect which is recurrent throughout the reviews from different countries: the sensitivity of her phrasing with which she stamps her mark on every single composition. The first highlights of her still young career were Leonard Bernstein’s Mass at the Passau European Music Festival and a concert tribute to her famous fellow countrywoman Lucia Popp in Bratislava, followed by performing on such a Festivals as the Elbphilharmonie Music Festival Hamburg, Herrenchiemsee Festival, the Schleswig-Holstein Music Festival, the Handel Festival in Göttingen, the Rheingau Music Festival, Music festival in Ottobeuren, the White Nights in St Petersburg, the Prague Spring, Music Festival Mäcklenburg-Vollpomer, Music festival of Usedom, La Folle Journée in Tokyo, etc. On the opera stage she created Lisetta in Haydn’s Il mondo della luna, the Third Lady in Mozart’s Magic Flute and Dorabella in Mozart´s Cosi fun tutte.

Lucia Duchoňová’s discography includes Handel’s Judas Maccabäus (DHM) and Alexander’s Feast (Hänssler Classic, first solo CD Canto a Sevilla (Hänssler Classic) which was nominated for a Grammy Award 2010 in category The Best Vocal Performance, Canciones&Conciertos (2012, Hänssler Classic), Melancholy (2014, Capriccio/Deutschlandradio Kultur).

Besides her singing she works also in pedagogical way – she gives Masterclasses to young singers, develops musical and pedagogical concepts for International Choir Academy Lübeck and co-Academy Canto em Trancoso in Brazil. She organizes also The international a cappella festival ZOOM+ in Trnava, Slovakia.