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古典的悸動—卡爾．海因茨．舒茲與國臺交
Touched By The Classics - Karl-Heinz Schütz & NTSO

2023/04/08(六)19:30 國立臺灣交響樂團演奏廳(臺中市霧峰區中正路738-2號)
2023/04/08(Sat.)19:30 NTSO Concert Hall
*停車資訊

2023/04/09(日)14:30 衛武營國家藝術文化中心音樂廳(高雄市鳳山區三多一路1號)
2023/04/09(Sun.)14:30 Concert Hall of National Kaohsiung Center for the Arts (Weiwuying)

音樂會前導聆｜於音樂會演出前1小時由張皓閔主講，憑當天音樂會門票入場參加(由夜鶯基金會合作提供)

指揮、長笛／卡爾．海因茨．舒茲
Conductor & Flute: Karl-Heinz Schütz 

【曲目】Program

古諾：降B大調為九件木管樂器的小交響曲
C. Gounod: Petite Symphony in B-flat Major for 9 Wind Instruments
戴維安：E小調第七號長笛協奏曲
F. Devienne: Flute Concerto No. 7 in E minor
莫札特：歌劇《魔笛》序曲
W. A. Mozart: Overture from "Die Zauberflöte"
理查．史特勞斯：降B大調木管組曲，作品4
R. Strauss: Suite for 13 Wind Instruments in B-flat Major, Op. 4

【節目長度參考】約90分(含中場休息)
*以上演出內容或順序等若有異動，以實際演出為準。

【票價】
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高雄場 NT 300、500、800、1000、1500
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指導單位：文化部
主辦、演出單位：國立臺灣交響樂團
音樂欣賞推廣協力：臺灣證券交易所
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活動洽詢電話：國立臺灣交響樂團04-23391141(代表號)

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這場音樂會由維也納愛樂長笛首席卡爾．海因茨．舒茲身兼指揮與獨奏，從長笛出發，木管樂器為核心主軸，將讓聽眾耳目一新。

莫札特的歌劇《魔笛》序曲動用到整個樂團，並非偏重長笛，但是以笛為標題，且《魔笛》的首演又是在維也納，「突顯長笛，講究維也納風味」的意味不言可喻。舒茲挑選了十八世紀法國作曲家戴維安的第七號長笛協奏曲，法國從十七世紀就是木管樂器的重鎮，戴維安繼承了長笛的傳統，熬過法國大革命的浪潮，在新成立的巴黎音樂院教授長笛，這首以E小調寫成的長笛協奏曲，有著古典的嚴整，也充滿了戲劇張力，表現出時代精神的敏感與騷動。

另外兩首曲目都是木管室內樂作品，古諾的小交響曲動用到一把長笛，雙簧管、低音管、單簧管與法國號各二。雖然是寫於十九世紀末的作品，卻有著古典的澄澈，精緻的編制也約束了浪漫精神，不致過於耽溺。理查．史特勞斯的木管組曲為十三位樂手所寫，以前奏曲開場，繼之以浪漫曲、嘉禾舞曲，最後以導奏與賦格結束，顯見與巴洛克音樂的淵源，也再次呼應這場音樂會試圖在古典與悸動之間尋找平衡。（撰文／吳家恆）

This concert will be conducted by Vienna Philharmonic flute concertmaster Karl-Heinz Schütz, who is also the soloist. Starting from the flute and focusing on woodwind instruments, this concert will offer a new interpretation to the audience.

While the overture of Mozart’s opera Die Zauberflöte does not focus on the flute and involves the entire orchestra, the flute is still mentioned in the title and the premiere of this opera was in Vienna, indicating the flute and the style of Vienna is still prominent in this composition. Schütz also selected 18^th-century French composer Devienne’s Flute Concerto No. 7 in E minor for this concert. France has been a significant place for woodwind instruments since the 17^th century. Steadfastly carrying on the classic flute traditions, Devienne survived the tumultuous French Revolution and later taught the instrument at the newly established Paris Conservatory of Music. This Flute Concerto No. 7 in E minor has both the structure of the classics and a dynamic flair, aptly presenting the sensitivity and unrest of the era.

The other two pieces performed in this concert are both chamber music pieces for woodwinds. Gounod’s Petite Symphony in B-flat Major for 9 Wind Instruments requires one flute, two oboes, two bassoons, two clarinets, and two French horns. Although it was written at the end of the 19^th century, the composition still displays the clarity of the classics and its delicate arrangement restrains the romantic spirit so that the piece is not too decadent. Richard Strauss’ Suite for 13 Wind Instruments in B-flat Major is written for thirteen musicians. It opens with a prelude and is continued with a romance, a gavotte, and ends with an introduction and fugue. The structure shows the piece’s connections with Baroque music and is also an example of how this concert is about finding the balance between the restrained classics and dynamic emotions.

更新日期2023.3.9