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首席高峰會Ⅱ—霍內克與達奈洛娃
Meeting Of Masters II - Honeck & Danailova
2023/05/06(六)19:30 嘉義市政府文化局音樂廳(嘉義市東區忠孝路275號)
2023/05/06(Sat.)19:30 Chiayi City Concert Hall
2023/05/07(日)14:30 臺中市中山堂(臺中市北區學士路98號)
2023/05/07(Sun.)14:30 Taichung Chung Shan Hall
音樂會前導聆｜於音樂會演出前1小時由吳毓庭主講，憑當天音樂會門票入場參加(由夜鶯基金會合作提供)
指揮／萊納‧霍內克
Conductor: Rainer Honeck
小提琴／阿貝娜‧達奈洛娃
Violin: Albena Danailova
【曲目】Program
貝多芬：《里奧諾雷》序曲第三號
L. v. Beethoven: Leonore Overture No. 3, Op. 72b
葛拉祖諾夫：A小調小提琴協奏曲
A. Glazunov: Violin Concerto in A minor, Op. 82
貝多芬：D大調第二號交響曲
L. v. Beethoven: Symphony No. 2 in D Major, Op. 36
【節目長度參考】約100分(含中場休息)
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萊納．霍內克與阿貝娜．達奈洛娃都是維也納愛樂的樂團首席，說這場音樂會是「首席高峰會II」，是呼應同樣的搭檔與國臺交在2019年令人印象深刻的「首席高峰會」音樂會。
霍內克國臺交有深厚淵源，2017/18樂季起擔任國臺交駐團藝術家，也以獨奏家、指揮的身分與樂團同台，演出海頓、莫札特、舒伯特的作品──這幾位作曲家都與維也納密不可分。貝多芬是另一位成就了「音樂之都維也納」名聲的重要作曲家。這場音樂會演奏的兩首貝多芬作品都寫於法國大革命餘波盪漾的年代。貝多芬的第二號交響曲寫於1802年，歌劇《費黛里奧》則從1803年寫到1814年，屢經修改，其最初版本名為《里奧諾雷》，後改名為《費黛里奧》。貝多芬在《費黛里奧》上可謂殫精竭慮，光是序曲就寫了四個版本。里奧諾雷與費黛里奧，指的都是劇中女主角，前者是真名，後者是她潛入監獄營救丈夫的化名。《費黛里奧》頌揚人類為了理想願意付出代價，為了愛情甘冒危險，成為1955年維也納歌劇院修復開幕的劇碼，由貝姆指揮維也納愛樂。霍內克以《里奧諾雷》序曲第三號開場，實具深意。
貝多芬在藝術手法與精神的感召力無遠弗屆，從葛拉祖諾夫就可看到。俄羅斯在1927年紀念貝多芬百年冥誕，葛拉祖諾夫擔任演講與指揮。他所寫的A小調小提琴協奏曲，根植於德奧傳統，追求技巧的炫目，展現達奈洛娃的首席身手。（撰文／吳家恆）
Rainer Honeck and Albena Danailova, both concertmasters of the Vienna Philharmonic, performed together with NTSO in the 2019 concert titled “Meeting of Masters”. This concert is titled “Meeting of Masters II” as a nod to the impressive performance in 2019.
Honeck has worked closely with NTSO before: he was the resident artist of NTSO during the 2017/18 season and performed with the orchestra as a soloist and conductor. They presented works by Haydn, Mozart, and Schubert - composers who are closely linked to Vienna. Beethoven is another significant composer that comes to mind when we mention “the Capitol of Music – Vienna”. The two compositions by Beethoven featured in this concert were completed after the tumultuous French Revolution: his Symphony No. 2 in D Major was written in 1802 and the opera Fidelio was written between 1803 and 1814. The opera was originally titled Leonore and later renamed Fidelio after multiple revisions. Beethoven was meticulous when creating Fidelio - the overture alone had four versions. Leonore and Fidelio are both names of the heroine in the opera. Leonore is her actual name and Fidelio is the alias she used to sneak into prison to save her husband. Fidelio exalts how people are willing to pay the price for their ideals and risk all for love. The opera was performed by Vienna Philharmonic and conducted by Karl Böhm on the reopening night of the Vienna State Opera in 1955 after its renovation. It is also very meaningful that Honeck chose to open this concert with Leonore Overture No. 3.
Many have felt the influence of Beethoven’s artistic skills and spirit, including Russian composer Glazunov. When Russia commemorated Beethoven’s 100th birthday in 1927, Glazunov was the lecturer and conductor. Glazunov’s Violin Concerto in A minor show strong German-Austrian roots and dazzling skills and techniques which will be interpreted by the extraordinary concertmaster Danailova.
更新日期2023.3.9
