| 姓名: | 蔣啟真 Jeannie CHIANG |
| 經歷: |
蔣啟真 Jeannie CHIANG 「女高音蔣啟真用明亮且自信的演唱技巧成功地駕馭了神仙教母寬廣音域的詠嘆調…」馬斯奈《灰姑娘》—美國巴爾地摩太陽日報 「女高音蔣啟真音色溫暖而清亮,音域寬廣,演唱《我的名字叫咪咪》,情感自然流露,真摯而單純。」 ET today新聞雲 美國約翰霍普金斯琵琶第音樂院碩士學位,國立臺北藝術大學學士學位。 近年於各大舞臺表現傑出,並頻繁受邀於國際舞臺,演唱足跡遍至美國、匈牙利、東京、香港、中國上海、中國寧波、中國南京等地。曾入圍第19 屆及第34 屆金曲獎—最佳演唱獎。旅美期間,多次受邀參與史蒂佛歌劇院演出,擔綱要角,獲得當地好評。並曾獲選與布達佩斯管弦樂團於匈牙利國家歌劇院演出歌劇選粹,擔任獨唱歌手。 返臺後,近期歌劇演出包括衛武營國家藝術文化中心與臺北市立交響樂團共製《魔彈射手》飾女主角阿加特、美娃斯藝術《採珠者》飾女主角萊伊拉,台北歌劇劇場馬斯奈《莎芙》飾女主角莎芙、《短促的人生》飾女主角沙露德,臺北市立國樂團《蔥仔開花》飾女主角蔥仔,衛武營跨港臺製作《被遺忘的瑪麗亞》飾女主角瑪麗亞,中國文化大學《波西米亞人》飾女主角咪咪,同年與西班牙合作演出轉播,獲得國際好評。並在國光劇團跨港臺製作《快雪時晴》中飾高曼青,在港臺兩地巡迴演出,受到廣大迴響。 目前為國立臺北藝術大學以及國立臺灣藝術大學音樂學系兼任助理教授,臺北市音樂歌劇暨藝術文化基金會現任董事,中國聲樂家協會現任理事、國立臺北藝術大學校友會現任理事,以及約翰霍普金斯琵琶蒂音樂院校友會會員。 “Soprano Jeannie CHIANG successfully tackled the broad range in the Fairy Godmother’s aria with her bright and confident vocal techniques.” Massenet, Cinderella - The Baltimore Sun, USA “Soprano Jeannie CHIANG’s voice has a warm, bright tone and a wide range. Her interpretation of “Sì. Mi chiamano Mimì” displays natural emotions that are sincere and simple.” ET today News Cloud Soprano Jeannie CHIANG holds a master’s degree from the Peabody Institute of Johns Hopkins University, USA, and a bachelor’s degree from the Taipei National University of the Arts. CHIANG has given outstanding performances on various stages and is frequently invited to sing at venues around the world, including the US, Hungary, Tokyo, Hong Kong, as well as Shanghai, Ningbo, and Nanjing in China. She was shortlisted for the 19th and 34th Golden Melody Awards Best Vocal Performance category. During her stay in the United States, the soprano was invited to perform at the Stifel Theatre several times, where she interpreted major roles and gained local acclaim. She was also selected to perform a series of opera highlights with the Budapest Philharmonic Orchestra at the Hungarian State Opera House as a soloist. Some of CHIANG’s recent opera appearances in Taiwan include Der Freischütz, co-produced by the National Kaohsiung Center for the Arts (Weiwuying) and the Taipei Symphony Orchestra, in which she played the female lead, Agathe. She was Leïla in Mewas Art’s The Pearl Fishers, Sapho in Taipei Opera Theater’s production of Massenet’s Sapho, and Salud in La Vida Breve. Chiang was the female lead, Tsong-á, in Taipei Chinese Orchestra’s local Taiwanese opera Formosa Bloom; Maria in Maria de Buenos Aires, a collaboration between the National Kaohsiung Center for the Arts (Weiwuying) and Hong Kong artists; and Mimi in Chinese Culture University’s production of La Bohème. In 2021, she collaborated with a Spanish broadcast company, and the performance received international acclaim. CHIANG also played Gao Man-qing in the Hong Kong/Taiwan production of GuoGuang Opera Company’s Sunlight After Snowfall, which she toured with in Hong Kong and Taiwan. CHIANG is currently a part-time assistant professor at the Departments of Music at both Taipei National University of the Arts and National Taiwan University of Arts. She also serves as a board member of the Taipei Opera and Culture Arts Foundation, a council member of the Vocal Music Association of China, a council member of the Taipei National University of the Arts Alumni Association, and is a member of the Johns Hopkins Peabody Institute Alumni Association.
2025/26 |
