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顛峰之作，布魯克納第九—水藍，堤剛與國臺交
Peak Masterpiece: Bruckner No. 9 - Lan Shui, Tsuyoshi Tsutsumi & NTSO

2023/07/01(六)19:30 臺中市中山堂(臺中市北區學士路98號)
2023/07/01(Sat.)19:30 Taichung Chung Shan Hall

2023/07/02(日)14:30 衛武營國家藝術文化中心音樂廳(高雄市鳳山區三多一路1號)
2023/07/02(Sun.)14:30 Concert Hall of National Kaohsiung Center for the Arts (Weiwuying)

音樂會前導聆｜於音樂會演出前1小時由施孟玟主講，憑當天音樂會門票入場參加(由夜鶯基金會合作提供)

指揮／水藍
Conductor: Lan Shui

大提琴／堤剛
Cello: Tsuyoshi Tsutsumi

【曲目】Program

柴科夫斯基：洛可可主題變奏曲
P. I. Tchaikovsky: Variations on a Rococo Theme, Op. 33
布魯克納：D小調第九號交響曲
A. Bruckner: Symphony No. 9 in D minor

【節目長度參考】約120分(含中場休息)
*以上演出內容或順序等若有異動，以實際演出為準。

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大藝術家走到人生邊上的風景，常人無從得見，只能從作品去體會。第九號是布魯克納最後一首交響曲，他從1887年開始創作，歷經將近十年，寫完前三個樂章，末樂章還沒完成，就於1896年去世。

眾所周知，布魯克納將此曲獻給上帝；只是，天不假以年，讓此曲留下殘篇，只能說天意難測。但或許布魯克納不會這麼想。布魯克納生在教會權威受到進一步打擊的年代，但是他卻如巴赫那一代的音樂家，在教會受管風琴師的訓練，創作彌撒等宗教音樂，而管風琴的堅實聲響也影響了他的器樂創作。另一方面，身為活躍於十九世紀後半葉的日耳曼音樂家，他不可能不受華格納的影響。這幾個層面持續表現在他的交響曲中，第九號自然也不例外。

布魯克納的第九號雖然厚重凝鍊，一整場音樂會若是只有這一首作品，恐怕會有意猶未盡的感覺。這場音樂會安排了柴科夫斯基的《洛可可主題變奏曲》得以完滿，由來臺多次的日本大提琴家堤剛擔任獨奏。

「洛可可」指稱的是接續在「巴洛克」之後的風格，是從繁複誇張到均衡節制之間的過渡，柴科夫斯基把握這個原則，採用小編制的樂團來烘托大提琴獨奏。主題優美典雅，以變奏讓大提琴家發揮技巧，產生了眾星拱月的效果。（撰文／吳家恆）

Oftentimes the views on life and the life experiences of great artists can only be understood through their works. Symphony No. 9 in D minor was Bruckner’s final symphony. He began to work on this composition in 1887 and spent nearly 10 years to complete the first three movements. He died in 1896 before he could finish the last part.

Bruckner dedicated this piece to God, yet the heavens decided to leave this symphony unfinished. It is difficult to predict the will of God, but maybe Bruckner would disagree. Bruckner was born in an era during which the authority of the church was further challenged. However, like Bach and his generation of musicians, Bruckner was trained by church organ masters and wrote religious music for Mass. The solemn and solid sound of organs also affected his instrumental creations. On the other hand, as a German musician active during the second half of the 19^th century, Bruckner was also influenced by Wagner. And these elements can be found in all of his symphonies, including No. 9.

Bruckner’s Symphony No. 9 in D minor is stately and well-rounded, yet if it is the only piece performed in a concert, it would leave the audience unsatisfied. So for this concert, NTSO also presents Tchaikovsky’s Variations on a Rococo Theme to complete it. Japanese cellist Tsuyoshi Tsutsumi, who has visited Taiwan many times, will be the soloist.

Rococo refers to the style that appeared after the Baroque. It is the transition between the elaborate and pompous to a more balanced and reserved style. Following this style, Tchaikovsky used a small orchestra to set off the cello solo. The main theme is elegant with lots of variations for the cellist to display their skills and shine.

更新日期2023.3.1