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NTSO C大調的謳歌—霍內克與國臺交
Session Information
Number of Sessions Venue Musician/Performer
2024/05/25(六)19:30 雲林表演廳 googleMap連結 雲林表演廳 Yunlin Performance Hall 萊納.霍內克 Rainer Honeck
2024/05/26(日)14:30 國立臺灣交響樂團演奏廳 googleMap連結 國立臺灣交響樂團演奏廳 NTSO Concert Hall 萊納.霍內克 Rainer Honeck

 


Event Details

預計2023/08/14(一)中午12:00啟售,08/14-08/21為NTSO 2023/24 VIP限定,08/21(一)中午12:00全面啟售。*成為NTSO VIP請點擊了解詳情

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NTSO 2023/24樂季
NTSO C大調的謳歌—霍內克與國臺交
Celebrating C Major - Honeck and NTSO 

2024/05/25(六)19:30 雲林表演廳(雲林縣斗六市大學路三段310號)
2024/05/25(Sat.)19:30 Yunlin Performance Hall

2024/05/26(日)14:30 國立臺灣交響樂團演奏廳(臺中市霧峰區中正路738-2號)
2024/05/26(Sun.)14:30 NTSO Concert Hall
*周邊停車資訊

音樂會前導聆|於音樂會演出前1小時由車炎江主講,憑當天音樂會門票入場參加(由夜鶯基金會合作提供)

指揮/萊納‧霍內克
Conductor: Rainer Honeck

【曲目】Program

莫札特: 歌劇《狄托的仁慈》序曲
W. A. Mozart: Overture “La Clemenza di Tito”, K. 621
貝多芬: C大調第一號交響曲
L. v. Beethoven: Symphony No. 1 in C Major, Op. 21
布拉姆斯: C小調第一號交響曲
J. Brahms: Symphony No. 1 in C minor, Op. 68

【節目長度參考】約120分(含中場休息)
*以上演出內容或順序等若有異動,以實際演出為準。

【票價】
雲林場 NT 300、500、800
臺中場 NT 300、500、800、1000
*歡迎大量購票(30張以上),專案優惠請洽主辦單位(04)23391141分機153,ntso153@ntso.gov.tw

指導單位:文化部
主辦、演出單位:國立臺灣交響樂團
共同主辦:雲林縣政府
音樂欣賞推廣協力:臺灣證券交易所
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各項優惠請點擊詳閱說明
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活動洽詢電話:國立臺灣交響樂團04-23391141(代表號)

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三首作品,出自三位時代不同的作曲家,調性是貫穿其間的線索。

莫札特的《狄托的仁慈》序曲以C大調開場,C大調結束;貝多芬第一號交響曲也是以C大調寫成,雖然樂曲的開頭並不是C大調。布拉姆斯苦心經營多年才問世的第一號交響曲選擇了C小調,最後以C大調結束。講到莫札特的晚年作品,很多人會提到《安魂曲》、《魔笛》,但往往忽略1791年9月於布拉格首演的《狄托的仁慈》(莫札特在12月過世)。莫札特這齣歌劇是奉旨創作,為了李奧波二世加冕為神聖羅馬帝國皇帝、波希米亞國王而寫。情節與羅馬帝國的皇帝狄托有關,重點雖然不在他身上,但故事經過一番曲折發展之後,身為統治者的狄托選擇寬恕,因為懲罰並不能解決問題。這個題材當然有政治意涵,而莫札特為此而譜寫的音樂自然也是光明正大、鼓號齊鳴,開場的序曲以C大調寫成也堪稱允當。

貝多芬寫交響曲,起手式用C大調也很恰當,但貝多芬畢竟是貝多芬,處處要叛逆,時時露反骨,即使是沿襲海頓、莫札特,也要加入自己的想法。貝多芬的成就為後來的作曲家設下障礙,布拉姆斯就是被困住的那一位。第一號交響曲遲遲不問世,布拉姆斯採用小調,似乎更適合其沉鬱的個性,但最後以C大調結束,衝破了障礙,也為這場「C大調的謳歌」畫下句點。(撰文/吳家恆)
 

Three music pieces from three composers of different eras, one shared trait - tonality.

The opening and closing of Mozart’s La Clemenza di Tito Overture are both in C major. Despite not starting in this key, Beethoven’s Symphony No. 1 is also written in C major. Brahms’ Symphony No. 1, which he painstakingly worked on for so many years, starts with C minor and ends in C major.

When talking about Mozart’s later works, “Requiem” and The Magic Flute are often brought up, but his La Clemenza di Tito is seldom mentioned. La Clemenza di Tito premiered in Prague in September 1791 (Mozart died in December of the same year). This opera was written for the coronation of Leopold II as the Holy Roman Emperor and King of Bohemia. Although the Roman emperor Tito isn’t the main character in this opera, Tito ultimately decides to forgive after a complicated turn of events because punishment is not the way to solve the problem. Mozart used loud drums and horns to create a bright and bold atmosphere for this highly political topic to further emphasize the grandeur. The opening prelude is suitably performed in C major.

While beginning his symphonies in C major may seem like a no-brainer, Beethoven is, after all, Beethoven - a renegade who constantly wants to do something different. Even when carrying on the styles of Haydn and Mozart, Beethoven must still add his own flavor.

Nevertheless, Beethoven’s achievements became challenges for later composers. One of those who was stuck was Brahms, who struggled tremendously to finish his first symphony. Brahms opted for a minor key, which seemed more suitable for his solemn personality. Finally, the symphony breaks free of the constraints and concludes in C major, creating the ideal end to this concert.

 

 


 

更新日期2023.11.22

 

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